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Posts published in “Singing courses”

Learn Hindustani Classical Music: Patterns in Bhairavi Thaat

In Hindustani 101 singing course, you’ve learnt the fundamental patterns that are set in Bilawal thaat. This course brings these patterns with svaras from Bhairavi thaat. These exercises will help you get the hang of svaras of Bhairavi thaat and would ease learning of raags that fall under this thaat. These are highly recommended before taking any other course on raags of Bhairavi thaat going forward. Enrol now This course consists of the following learning and practice modules. 1. Svaras of…

Learn Indian Classical Music: Hindustani Vocal

The Hindustani 101 course comprises of the fundamental exercises that are needed to get you started with a lifetime of learning singing in the Hindustani classical music. It comes with the fundamental svara exercises that span all shuddha and komal svaras, simple and more complex paltas. These are the first exercises any student of Hindustani classical music would practise, and are necessary for taking any other course going forward. Enrol now for free This course consists of the following learning…

Beginner to Intermediate in Carnatic Music: How to progress?

What next after the varases? This is one question that pops into the mind of every beginner. Once a student is through with the basic lessons i.e. sarale varase, janti varase, taggusthaayi varase, taarasthaayi varase, dhaatu varase and alankaara, before proceeding to learn the pillarigeethe and sanchari geethe, one litmus test to see if he/she is ready to learn different types of geethe is to sing the basic lessons in three speeds continuously. If possible, the three speeds can be…

Importance of practising basic lessons in Carnatic music

This article introduces you to the fundamentals of Carnatic music. It also tells you the relevance and importance of practising the beginner lessons such as sarali varase/varisai as part of your everyday practice. An introduction to swaras Swara is the most fundamental concept in Carnatic music. It plays a similar role to that of a ‘note’ in western music, but has a distinct character. There are seven swaras in Carnatic music: S for Shadja (sung as Sa), R for Rishabha (sung as…

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