Raag Bhimpalasi

This is an introductory course on Bhimpalasi in Hindustani music. The course contains videos explanations for important concepts in the raag followed by practice sessions for you to repeat after the guru and internalise the concept. While singing you will receive instant visual feedback so you can correct immediately and improve your performance.Concepts covered: Aaroh, Avroh, Pakad, Chalan, Alaap and 4 Bandishes in both sargam Geet and lyrics.

Course contents

Practice Of Aroh, Avroh and Pakad

Introduction to Raag Bhimpalasi

How to Sing Aaroh, Avroh and Pakad

Aaroh-Avroh (Speed 1)

Aaroh-Avroh (Speed 2)

Aaroh-Avroh (Speed 3)


Practice Of Chalan And Alaap

Characteristics of Raag Bhimpalasi



Alankar Practice

Why is Alankar Practice Needed?

How to Practice Alankars?

Alankar 1 (Speed 1)

Alankar 1 (Speed 2)

Alankar 1 (Speed 3)

Alankar 2 (Speed 1)

Alankar 2 (Speed 2)

Alankar 2 (Speed 3)

Alankar 3 / Shikhara Alankar (Speed 1)

Alankar 3 / Shikhara Alankar (Speed 2)

Alankar 3 / Shikhara Alankar (Speed 3)

Ja Ja Re Apne Mandirva

Bandish Example

Ja Ja Re Apne Mandirva Sargam

Ja Ja Re Apne Mandirva Lyrics

Biraj Me Dhoom Machaye

Biraj Me Dhoom Machaye Sargam

Biraj Me Dhoom Machaye Lyrics

Dhanya Dhanya He Dinakar Raaja

Dhanya Dhanya He Dinakar Raaja Sargam

Dhanya Dhanya He Dinakar Raaja Lyrics

Hamari Kahee Mitwa Maanle

Hamari Kahee Mitwa Maanle Sargam

Hamari Kahee Mitwa Maanle Lyrics